{"title":"Prestretched Nyirripi","description":null,"products":[{"product_id":"watiya-warnu-jukurrpa-seed-dreaming-1","title":"Watiya-warnu Jukurrpa (Seed Dreaming)","description":"\u003cp\u003eThis painting tells the story of a Jangala ‘watiya-warnu’ (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the ‘watiya-warnu’ seeds and placed them in ‘parrajas’ (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature ‘watiya-warnu’ seed is ground into a paste and can be used to treat upset stomachs. The associated ‘watiya-warnu’ ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa\/Nangala women and Jampijinpa\/Jangala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming ‘U’ shapes are often depicting women collecting the ‘watiya-warnu’ seeds. Oval shapes represent the ‘parrajas’ where they carry the seeds and strait lines beside them frequently portrait digging sticks.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44404836106343,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78099051.jpg?v=1786587595"},{"product_id":"warna-jukurrpa-snake-dreaming-10","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405393096807,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78269671.jpg?v=1786614883"},{"product_id":"nguru-nyirrpi-wana-country-around-nyirrpi","title":"Nguru Nyirrpi-wana (Country around Nyirrpi)","description":"\u003cp\u003eThis painting depicts the natural landscape around Nyirrpi, a small Warlpiri community (originally an outstation) about 160 km west of Yuendumu. About 200 people live in Nyirrpi today. The bush around Nyirrpi features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.\u003cbr\u003e\u003cbr\u003eThere are a number of beautiful natural features close to Nyirrpi, including sandhills, soakages, and Karrku (Mt. Stanley), a large flat-topped hill that is an important source of red ochre used during ceremonies. There are also a number of small outstations around Nyirrpi. These include Wayililinpa, Yinjirimardi, Karrinyarra (Mt. Wedge), Nginyirripalangu, and many more.\u003cbr\u003e\u003cbr\u003eMany sites around Nyirrpi are associated with different ‘Jukurrpa’ (Dreamings). These sites include Karrku, which is associated with a ‘karnta Jukurrpa’ (womens’ Dreaming) and a ‘ngalyipi Jukurrpa’ (snake vine [Tinospora smilacina] Dreaming). In the Jukurrpa, two women of the Napaljarri skin subsection threw a hairstring rope around Karrku and tried to pull it down.\u003cbr\u003e\u003cbr\u003eOther Jukurrpa around Nyirrpi include the ‘warna Jukurrpa’ (snake Dreaming) that travels north from Kunajarrayi (Mt. Nicker), the ‘maliki Jukurrpa’ (dog Dreaming) associated with Winijardu, a hill, and the ‘marlu Jukurrpa’ (kangaroo Dreaming) that travels from north to south past Nyirrpi. There is also a ‘pamapardu Jukurrpa’ (termite Dreaming) and ‘mukaki Jukurrpa’ (bush plum [Santalum lanceolatum] Dreaming) associated with Warntungurru, a hill close to Nyirrpi. This ‘pamapardu Jukurrpa’ (termite Dreaming) travels from Wapurtali (Mt. Singleton) in the west to Warntungurru. \u003cbr\u003e\u003cbr\u003eThe Jukurrpa sites around Nyirrpi are all owned and cared for by different skin subsections. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians). \u003cbr\u003e\u003cbr\u003eIn Warlpiri paintings, traditional iconography can be used to represent the landscape around Nyirrpi, the Jukurrpa, and other elements. Paintings of Jukurrpa around Nyirrpi can include wavy lines that are used to represent the ‘ngalyipi’ (snake vine), dashed lines used to represent the ‘pamapardu’ (termites), and concentric circles used to represent waterholes or ‘mingkirri’ (termite mounds).\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405393293415,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78278957.jpg?v=1786614912"},{"product_id":"warna-jukurrpa-snake-dreaming-19","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405393391719,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78274036.jpg?v=1786614917"},{"product_id":"warna-jukurrpa-snake-dreaming-21","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405394145383,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78275767.jpg?v=1786614938"},{"product_id":"mina-mina-jukurrpa-mina-mina-dreaming-7","title":"Mina Mina Jukurrpa (Mina Mina Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e[Allocasuarina decaisneana])\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e [Allocasuarina decaisneana]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003egroup of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esand monitor\/goanna [Varanus gouldii]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405394210919,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78280805.jpg?v=1786614946"},{"product_id":"mina-mina-jukurrpa-mina-mina-dreaming-8","title":"Mina Mina Jukurrpa (Mina Mina Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e[Allocasuarina decaisneana])\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e [Allocasuarina decaisneana]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003egroup of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esand monitor\/goanna [Varanus gouldii]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405394341991,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78280835.jpg?v=1786614963"},{"product_id":"karnta-jukurrpa-womens-dreaming-3","title":"Karnta Jukurrpa (Womens Dreaming)","description":"\u003cp\u003eThis painting depicts Nakamarra and Napurrurla women hunting for bush foods. The ‘kirda’ (owners) for this story are Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. Yumurrpa and Wapurtali are two major Dreaming sites owned by the Nakamarra\/Jakamarra and Napurrurla\/Jupurrurla subsections; these sites are also associated with bush food Dreamings. Yumurrpa is a major waterhole to the northwest of Yuendumu and a ‘yarla’ (bush potato [Ipomea costata]) Dreaming site. The area north of Wapurtali\/Yintaramurru (Mt. Singleton) is a ‘wanakiji’ (bush tomato [Solanum chippendalei]) Dreaming site.\u003cbr\u003e\u003cbr\u003eWarlpiri women hunt for a number of different bush foods at different times of the year. These include ‘ngarlkirdi’ (witchetty grubs [Endoxyla leucomochla larvae]), ‘yunkaranyi’ (honey ants [Camponotus inflatus]), ‘jintiparnta’ and ‘purlantarri’ (desert truffle [Elderia arenivaga]), ‘yuparli’ (bush bananas [Marsdenia australis]), ‘janmarda’ (bush onions [Cyperus bulbosus]), ‘pirlala’ (bush beans [Acacia coriacea seeds]), ‘ngarlajiyi’ (bush carrots [Vigna lanceolata]), ‘wayipi’ (small bush carrots [Boerhavia diffusa]), and ‘yakajirri’ (bush raisins [Solanum centrale]). Women traditionally dug for these foods using wooden ‘karlangu’ (digging sticks). The end of the digging sticks were charred and ground on a stone surface to create a bevelled edge. Today many Warlpiri women use crowbars (also called ‘karlangu’) to dig for bush foods. Collected bush foods are traditionally carried in ‘parraja’ (coolamons), which can be carried with a strap made from the ‘ngalyipi’ (snake vine [Tinospora smilacina]). \u003cbr\u003e\u003cbr\u003eIn Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. Concentric circles are often used to represent the bush foods that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Sinuous lines are often used to represent the ‘ngalyipi’ (snake vine).\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405394374759,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78281453.jpg?v=1786614968"},{"product_id":"lappi-lappi-jukurrpa-lappi-lappi-dreaming-7","title":"Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)","description":"\u003cp\u003eThe subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa\/Jampijinpa and Nangala\/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405395390567,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78287024.jpg?v=1786615044"},{"product_id":"lappi-lappi-jukurrpa-lappi-lappi-dreaming-8","title":"Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)","description":"\u003cp\u003eThe subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa\/Jampijinpa and Nangala\/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44405395423335,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78287011.jpg?v=1786615049"},{"product_id":"ngatijirri-jukurrpa-budgerigar-dreaming-9","title":"Ngatijirri Jukurrpa (Budgerigar Dreaming)","description":"\u003cp\u003eThe Jukurrpa site shown in this painting for Ngatijirri (budgerigar [Melopsittacus undulates]) is at Yangarnmpi, south of Yuendumu. ‘Ngatijirri’ are small, bright green birds native to central Australia which are common around the Yuendumu area, especially after the summer rains. Men would hunt for ‘ngatijirri’ nests, robbing them of eggs and juvenile birds, which are both considered delicacies. The men would also go out hunting for adult, flying ‘ngatijirri’, which they would kill by swinging branches, killing sticks or ‘karli’ (boomerangs) to hit the birds in flight. The ‘ngatijirri’ travelled to Yangarnmpi from Patirlirri, near Willowra to the east of Yuendumu and travelled further on to Marngangi, north\/west of Mount Dennison and west of Yuendumu. Each time the flock of ancestral ‘ngatijirri’ lands, they perform ceremonies, singing and dancing as they fly and roost in the trees. The sites of these ceremonies are depicted in this painting as concentric circles, while cross-like shapes depict the footprints of the birds on the ground and give an indication of the large flocks of ‘ngatijirri’ that can be found near Yangarnmpi and other sites close to Yuendumu. After good rains ‘ngatijirri’ can successfully breed several times, resulting in an explosion of the population in a short time. Custodians for the Ngatijirri Jukurrpa are Napaljarri\/Nungarrayi women and Japaljarri\/Jungarrayi men.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406145613927,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78322933.jpg?v=1786618561"},{"product_id":"yarungkanyi-jukurrpa-mt-doreen-dreaming","title":"Yarungkanyi Jukurrpa (Mt Doreen Dreaming)","description":"\u003cp\u003eYarrungkanyi is the Mt Doreen area north west of Yuendumu. Dreamtime people lived in the area, digging for ‘ngarlajiyi’ (bush carrot [Vigna lanceolata]). In doing so they created a creek that flows north to Jurlpungu. Women are shown seated picking ‘ngamirdamirdi’ (lifesaver burr [Sida platycalyx]), which is a low-growing prickle. The women would thread the Ngamirdamirdi onto sticks to make hair combs. The women were travelling south to Yukurra.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406156656743,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78392100.jpg?v=1786619501"},{"product_id":"yarungkanyi-jukurrpa-mt-doreen-dreaming-2","title":"Yarungkanyi Jukurrpa (Mt Doreen Dreaming)","description":"\u003cp\u003eYarrungkanyi is the Mt Doreen area north west of Yuendumu. Dreamtime people lived in the area, digging for ‘ngarlajiyi’ (bush carrot [Vigna lanceolata]). In doing so they created a creek that flows north to Jurlpungu. Women are shown seated picking ‘ngamirdamirdi’ (lifesaver burr [Sida platycalyx]), which is a low-growing prickle. The women would thread the Ngamirdamirdi onto sticks to make hair combs. The women were travelling south to Yukurra.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406156722279,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78383303.jpg?v=1786619505"},{"product_id":"lappi-lappi-jukurrpa-lappi-lappi-dreaming-12","title":"Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)","description":"\u003cp\u003eThe subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa\/Jampijinpa and Nangala\/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406157082727,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78429417.jpg?v=1786619527"},{"product_id":"wirnpa-jukurrpa-lightning-dreaming-2","title":"Wirnpa Jukurrpa (Lightning Dreaming)","description":"\u003cp\u003eThe country associated with this painting is Kiwirkurra, located in the ‘tali’ sandhill country of the Gibson Desert, south west of Lake McKay. The traditional iconography used to represent this dreaming are; concentric circles depicting the rock holes found in this area, the half circles the sandhills and the horizontal wavy lines the lightning. When the lightning comes the water birds, ‘Tjikaluk,’ come out and wade along the edge of the water. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406157148263,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78385535.jpg?v=1786619531"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-6","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406170222695,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78430319.jpg?v=1786620325"},{"product_id":"ngapa-jukurrpa-water-dreaming-puyurru-47","title":"Ngapa Jukurrpa (Water Dreaming)  -  Puyurru","description":"\u003cp\u003eThe site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.\u003cbr\u003e\u003cbr\u003eThe termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.\u003cbr\u003e\u003cbr\u003eIn contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus \u0026amp; stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406172057703,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78426350.jpg?v=1786620731"},{"product_id":"yankirri-jukurrpa-emu-dreaming-ngarlikirlangu-27","title":"Yankirri Jukurrpa (Emu Dreaming) - Ngarlikirlangu","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis painting depicts a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae] Dreaming) from a place called Ngarlikurlangu, approximately 50kms north of Yuendumu. The ‘kirda’ (owners) of this Dreaming are Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa tells the story of a ‘yankirri’ (emu) and a ‘wardilyka’ (bush turkey [Ardeotis australis]). ‘Yankirri’ lived at a soakage to the west called Warnirripanu (or Walangkamirirri), while ‘wardilyka’ lived at a soakage to the east called Parirri.  The emu and bush turkey used to go around the country picking ‘yakajirri’ (bush raisins [Solanum centrale]) and mashing them into ‘kapurdu’ (fruit balls) to save in their nests for later. However, they were jealous of each other; the emu thought that the bush turkey was picking the best and juiciest ‘yakajirri’, and was leaving him with only the sour ‘yakajirri’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe emu went to the bush turkey’s nest to the east while the bush turkey was out hunting and smashed up the ‘kapurdu’ that the bush turkey had saved there. When the bush turkey returned, he found his smashed ‘yakajirri’ balls and realized that the emu had destroyed them. He went to the west to confront the emu and when he found him, they got into a big fight. The bush turkey eventually flew away to the north, leaving behind the smashed ‘yakajirri’ balls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis practice of making ‘kapurdu’ (fruit balls) is a traditional Warlpiri method of storing ‘yakajirri’; in the old days, people used to dry the ‘yakajirri’, grind them up with a rock in a coolamon, mix them with water and form balls from them, and cover the ‘kapurdu’ with red ochre so they would keep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eToday at Ngarlikirlangu we can see round, red rocks which are the ‘kapurdu’ that the emu smashed up. There is also a dance for this ‘yankirri’ (emu) Jukurrpa that is performed during mens’ initiation ceremonies. A number of other Jukurrpa are also located at Ngarlikirlangu, including ‘wardilyka Jukurrpa’ (bush turkey Dreaming), ‘yardijiinypa Jukurrpa’ (meat ant Dreaming), and ‘pirntina Jukurrpa’ (woma or Ramsay’s python [Aspidites ramsayi] Dreaming). Lots of ‘yakajirri’ grow around the Ngarlikirlangu area today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, associated sites, and other elements. ‘Yankirri’ are usually represented by arrow-like shapes depicting their ‘wirliya’ (footprints) as they walk around.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406172450919,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78432118.jpg?v=1786620775"},{"product_id":"yankirri-jukurrpa-emu-dreaming-ngarlikirlangu-28","title":"Yankirri Jukurrpa (Emu Dreaming) - Ngarlikirlangu","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis painting depicts a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae] Dreaming) from a place called Ngarlikurlangu, approximately 50kms north of Yuendumu. The ‘kirda’ (owners) of this Dreaming are Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa tells the story of a ‘yankirri’ (emu) and a ‘wardilyka’ (bush turkey [Ardeotis australis]). ‘Yankirri’ lived at a soakage to the west called Warnirripanu (or Walangkamirirri), while ‘wardilyka’ lived at a soakage to the east called Parirri.  The emu and bush turkey used to go around the country picking ‘yakajirri’ (bush raisins [Solanum centrale]) and mashing them into ‘kapurdu’ (fruit balls) to save in their nests for later. However, they were jealous of each other; the emu thought that the bush turkey was picking the best and juiciest ‘yakajirri’, and was leaving him with only the sour ‘yakajirri’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe emu went to the bush turkey’s nest to the east while the bush turkey was out hunting and smashed up the ‘kapurdu’ that the bush turkey had saved there. When the bush turkey returned, he found his smashed ‘yakajirri’ balls and realized that the emu had destroyed them. He went to the west to confront the emu and when he found him, they got into a big fight. The bush turkey eventually flew away to the north, leaving behind the smashed ‘yakajirri’ balls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis practice of making ‘kapurdu’ (fruit balls) is a traditional Warlpiri method of storing ‘yakajirri’; in the old days, people used to dry the ‘yakajirri’, grind them up with a rock in a coolamon, mix them with water and form balls from them, and cover the ‘kapurdu’ with red ochre so they would keep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eToday at Ngarlikirlangu we can see round, red rocks which are the ‘kapurdu’ that the emu smashed up. There is also a dance for this ‘yankirri’ (emu) Jukurrpa that is performed during mens’ initiation ceremonies. A number of other Jukurrpa are also located at Ngarlikirlangu, including ‘wardilyka Jukurrpa’ (bush turkey Dreaming), ‘yardijiinypa Jukurrpa’ (meat ant Dreaming), and ‘pirntina Jukurrpa’ (woma or Ramsay’s python [Aspidites ramsayi] Dreaming). Lots of ‘yakajirri’ grow around the Ngarlikirlangu area today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, associated sites, and other elements. ‘Yankirri’ are usually represented by arrow-like shapes depicting their ‘wirliya’ (footprints) as they walk around.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406172483687,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78432153.jpg?v=1786620780"},{"product_id":"mina-mina-jukurrpa-mina-mina-dreaming-18","title":"Mina Mina Jukurrpa (Mina Mina Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e[Allocasuarina decaisneana])\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e [Allocasuarina decaisneana]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003egroup of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esand monitor\/goanna [Varanus gouldii]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406172581991,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78424809.jpg?v=1786620794"},{"product_id":"warna-jukurrpa-snake-dreaming-40","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406558916711,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78426339.jpg?v=1786622908"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-8","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406594732135,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78428736.jpg?v=1786622947"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-9","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406598565991,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78429147.jpg?v=1786622952"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-10","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406601384039,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78428734.jpg?v=1786622957"},{"product_id":"warna-jukurrpa-snake-dreaming-42","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406609412199,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78427695.jpg?v=1786623050"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-11","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406609444967,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78429448.jpg?v=1786623054"},{"product_id":"warna-jukurrpa-snake-dreaming-55","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406609543271,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78429413.jpg?v=1786623069"},{"product_id":"warna-jukurrpa-snake-dreaming-56","title":"Warna Jukurrpa (Snake Dreaming)","description":"\u003cp\u003eThe place depicted in this painting, Ngama, is located south of Yuendumu in the Northern Territory. This Dreaming belongs to Nakamarra\/Napurrurla women and Jakamarra\/Jupurrurla men. This story describes the journey of Yarripiri, an ancestral ‘warna’ (snake). He travelled from Wirnparrku near Mt. Liebig to Yimparlu, and continued its way through the territories of Ngapanangka-jarra, Warlajirryi, Kurnmundu, Yinyirrinyi on to Ngama. Later Yarripiri travelled further north via Mijirlparnta (Mission Creek) and right through to the top end of Australia.Yarripiri was very sad as his family had left him behind at Wirnparrku. He was blind and crippled but he was determined to follow and search them out. He had to be carried. This was the job undertaken by the ‘kurdungurlu’ (ceremonial police) of the Dreaming: the Nangala\/Nampijinpa women and Jangala\/Jampijinpa men. Where Yarripiri's tail slumped and touched the ground creeks were formed, such as Mijirlparnta, west of Yuendumu. Yarripiri tracks and paths are often represented by arc shapes or curved lines depicted across the canvas.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406609576039,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78429358.jpg?v=1786623073"},{"product_id":"pikilyi-jukurrpa-vaughan-springs-dreaming-22","title":"Pikilyi Jukurrpa (Vaughan Springs Dreaming)","description":"\u003cp\u003ePikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka\/Napanangka and Japangardi\/Napangardi skin groups.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44406839181415,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78443546.jpg?v=1786624489"},{"product_id":"yarla-jukurrpa-bush-potato-dreaming-cockatoo-creek-40","title":"Yarla Jukurrpa (Bush Potato Dreaming) - Cockatoo Creek","description":"\u003cp\u003eThis Yarla Jukurrpa belongs to men of the Japaljarri\/Jungarrayi subsections and to Napaljarri\/Nungarrayi women. It comes from an area to the east of Yuendumu called Cockatoo Creek. ‘Yarla’ (bush potato [Ipomea costata]) are fibrous tubers that grow beneath a low spreading plant, found by looking for cracks in the ground. This edible tuber grows from ‘yartura’ (roots) which seek out moisture to spout new plants. Yarla are good to eat, when cooked they are really soft and tasty. The Jukurrpa tells of ‘yarla’ and ‘wapirti’ (bush carrot [Vigna lanceolata]) ancestors fighting a big battle in this area. The specific site associated with this painting is a ‘mulju’ (water soakage) called Ngarparapunyu. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. The curved lines of the ‘kuruwarri’ (ceremonial designs) represent the ‘ngamarna’ (vine-like tendrils) from which grow ‘jinjirla’ (flowers). ‘Karlangu’ (digging sticks) are usually represented as straight lines. ‘Karlangu’are used by women to dig for bush tucker like Yarla and Wapirti which are found underground.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620452823143,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457581.jpg?v=1789463428"},{"product_id":"luurnpa-jukurrpa-kingfisher-dreaming-lake-mackay-2","title":"Luurnpa Jukurrpa (Kingfisher Dreaming) - Lake MacKay","description":"\u003cp\u003e\u003cem\u003eLuurnpa\u003c\/em\u003e is the ancestral kingfisher who led the Kukaja people to their country in the Dreaming. He travelled from the north stopping at all the sources of living water in the desert. He came to Tjalputjalpu, north of Lake MacKay, and camped beside the \u003cem\u003ewarran\u003c\/em\u003e, clay pans that join up to form a vast flood plain after heavy summer rains. In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming).  Artists depicted \u003cem\u003eLuurnpa Jukurrpa\u003c\/em\u003e using rectangular and circular shapes to indicate \u003cem\u003ewarran\u003c\/em\u003e (claypans); vertical and horizontal lines to represent \u003cem\u003ekarru\u003c\/em\u003e (creeks), and parallel transverse lines to depict \u003cem\u003eLuurnpa’s\u003c\/em\u003e spears. At some of the sacred places he visited, \u003cem\u003eLuurnpa\u003c\/em\u003e left special powers and ‘big law’.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620454035559,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457842.jpg?v=1789463436"},{"product_id":"mina-mina-jukurrpa-mina-mina-dreaming-51","title":"Mina Mina Jukurrpa (Mina Mina Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e[Allocasuarina decaisneana])\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e [Allocasuarina decaisneana]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003egroup of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esand monitor\/goanna [Varanus gouldii]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620462620775,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457395.jpg?v=1789463494"},{"product_id":"mina-mina-jukurrpa-mina-mina-dreaming-52","title":"Mina Mina Jukurrpa (Mina Mina Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e[Allocasuarina decaisneana])\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e [Allocasuarina decaisneana]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003egroup of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esand monitor\/goanna [Varanus gouldii]\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620462915687,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457393.jpg?v=1789463502"},{"product_id":"lukarrara-jukurrpa-desert-fringe-rush-seed-dreaming-33","title":"Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)","description":"\u003cp\u003eThis Jukurrpa belongs to women of the Nakamarra\/Napurrurla subsections and to Jakamarra\/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya \u0026amp; Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620473434215,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78458994.jpg?v=1789463708"},{"product_id":"yurrampi-jukurrpa-honey-ant-dreaming-6","title":"Yurrampi Jukurrpa (Honey Ant Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis painting depicts a ‘yurrampi Jukurrpa’ (honey ant Dreaming). This Jukurrpa has special significance for Warlpiri people living in Yuendumu because it passes right through the Yuendumu community. Yuendumu is therefore also called ‘Yurrampi’ (honey ant) for this reason. The ‘kirda’ (owners) of this Jukurrpa are Japangardi\/Japanangka men and Napangardi\/Napanangka women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis ‘yurrampi Jukurrpa’ begins southeast of Yuendumu at Yulumu and travels west. The honey ant ancestors made passages and chambers underground as they traveled, which created the soakages that remain today. After Yulumu, the ‘yurrampi’ went west to Yulyupunyu, a small hill called Yamparlinyi, and a place called Yakurrukaji, where they made a soakage. This soakage at Yakurrukaji supplied water to the original settlement of Yuendumu, and is where Yuendumu’s houses stand today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter leaving Yakurrukaji, the ‘yurrampi’ went on to a place called ‘Wanakurduparnta’ west of Yuendumu, where they sat and attracted other ‘yurrampi’ ancestors to them. Some of the ‘yurrampi’ eventually went back east underground and died at Yulyupunyu, while others went back and died at Yulumu. The ‘yurrampi Jukurrpa’ at Yuendumu is also associated with a ‘wakapartari Jukurrpa’ (mulga worm Dreaming) and ‘jipilyaku Jukurrpa’ (duck Dreaming), all of which overlap at Yakurrukaji. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e‘Yurrampi’ (also called ‘yunkaranyi’) are a prized delicacy, considered well worth the enormous effort it takes to dig them out of the ground. Honey ant nests can be located by looking for honey ants that are walking around on the ground and following them back to the entrance of their nest. These foraging honey ants are called ‘jaka-liirli’ and can be identified by a little yellow stripe on their bottoms. When digging up the nest, people look for streaks of bright red soil (‘kanjirtirirtiri’) that signify that they are getting close to the underground honey ant chambers (called ‘minki’). Honey ants ants dig tunnels quite deep underground in ‘jirrijirrirnpa’ (mulga woodland country). Branching from these passageways are chambers in which the edible honey ants are suspended from the ceilings, full of nectar collected from ‘yanyirlingi’ (desert fuchsia [Eremophila latrobei]). With their swollen abdomens, the ants are unable to move. People pick them out, gather them in ‘parraja’ (coolamons), and eat their abdomens, which taste like honey. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, concentric circles can represent the soakages created by the ‘yurrampi’ ancestors. These circles can be connected by lines representing the ‘yurrampi’ ancestors’ tracks. Straight lines can represent the ‘karlangu’ (digging sticks) used to dig up the honey ant nests.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620668960871,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457624.jpg?v=1789466826"},{"product_id":"lukarrara-jukurrpa-desert-fringe-rush-seed-dreaming-37","title":"Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)","description":"\u003cp\u003eThis Jukurrpa belongs to women of the Nakamarra\/Napurrurla subsections and to Jakamarra\/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya \u0026amp; Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620688982119,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78459152.jpg?v=1789466965"},{"product_id":"lukarrara-jukurrpa-desert-fringe-rush-seed-dreaming-38","title":"Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)","description":"\u003cp\u003eThis Jukurrpa belongs to women of the Nakamarra\/Napurrurla subsections and to Jakamarra\/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya \u0026amp; Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620701139047,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78459042.jpg?v=1789467029"},{"product_id":"yurrampi-jukurrpa-honey-ant-dreaming-7","title":"Yurrampi Jukurrpa (Honey Ant Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis painting depicts a ‘yurrampi Jukurrpa’ (honey ant Dreaming). This Jukurrpa has special significance for Warlpiri people living in Yuendumu because it passes right through the Yuendumu community. Yuendumu is therefore also called ‘Yurrampi’ (honey ant) for this reason. The ‘kirda’ (owners) of this Jukurrpa are Japangardi\/Japanangka men and Napangardi\/Napanangka women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis ‘yurrampi Jukurrpa’ begins southeast of Yuendumu at Yulumu and travels west. The honey ant ancestors made passages and chambers underground as they traveled, which created the soakages that remain today. After Yulumu, the ‘yurrampi’ went west to Yulyupunyu, a small hill called Yamparlinyi, and a place called Yakurrukaji, where they made a soakage. This soakage at Yakurrukaji supplied water to the original settlement of Yuendumu, and is where Yuendumu’s houses stand today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter leaving Yakurrukaji, the ‘yurrampi’ went on to a place called ‘Wanakurduparnta’ west of Yuendumu, where they sat and attracted other ‘yurrampi’ ancestors to them. Some of the ‘yurrampi’ eventually went back east underground and died at Yulyupunyu, while others went back and died at Yulumu. The ‘yurrampi Jukurrpa’ at Yuendumu is also associated with a ‘wakapartari Jukurrpa’ (mulga worm Dreaming) and ‘jipilyaku Jukurrpa’ (duck Dreaming), all of which overlap at Yakurrukaji. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e‘Yurrampi’ (also called ‘yunkaranyi’) are a prized delicacy, considered well worth the enormous effort it takes to dig them out of the ground. Honey ant nests can be located by looking for honey ants that are walking around on the ground and following them back to the entrance of their nest. These foraging honey ants are called ‘jaka-liirli’ and can be identified by a little yellow stripe on their bottoms. When digging up the nest, people look for streaks of bright red soil (‘kanjirtirirtiri’) that signify that they are getting close to the underground honey ant chambers (called ‘minki’). Honey ants ants dig tunnels quite deep underground in ‘jirrijirrirnpa’ (mulga woodland country). Branching from these passageways are chambers in which the edible honey ants are suspended from the ceilings, full of nectar collected from ‘yanyirlingi’ (desert fuchsia [Eremophila latrobei]). With their swollen abdomens, the ants are unable to move. People pick them out, gather them in ‘parraja’ (coolamons), and eat their abdomens, which taste like honey. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, concentric circles can represent the soakages created by the ‘yurrampi’ ancestors. These circles can be connected by lines representing the ‘yurrampi’ ancestors’ tracks. Straight lines can represent the ‘karlangu’ (digging sticks) used to dig up the honey ant nests.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620798656615,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457623.jpg?v=1789467262"},{"product_id":"yurrampi-jukurrpa-honey-ant-dreaming-8","title":"Yurrampi Jukurrpa (Honey Ant Dreaming)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis painting depicts a ‘yurrampi Jukurrpa’ (honey ant Dreaming). This Jukurrpa has special significance for Warlpiri people living in Yuendumu because it passes right through the Yuendumu community. Yuendumu is therefore also called ‘Yurrampi’ (honey ant) for this reason. The ‘kirda’ (owners) of this Jukurrpa are Japangardi\/Japanangka men and Napangardi\/Napanangka women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis ‘yurrampi Jukurrpa’ begins southeast of Yuendumu at Yulumu and travels west. The honey ant ancestors made passages and chambers underground as they traveled, which created the soakages that remain today. After Yulumu, the ‘yurrampi’ went west to Yulyupunyu, a small hill called Yamparlinyi, and a place called Yakurrukaji, where they made a soakage. This soakage at Yakurrukaji supplied water to the original settlement of Yuendumu, and is where Yuendumu’s houses stand today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter leaving Yakurrukaji, the ‘yurrampi’ went on to a place called ‘Wanakurduparnta’ west of Yuendumu, where they sat and attracted other ‘yurrampi’ ancestors to them. Some of the ‘yurrampi’ eventually went back east underground and died at Yulyupunyu, while others went back and died at Yulumu. The ‘yurrampi Jukurrpa’ at Yuendumu is also associated with a ‘wakapartari Jukurrpa’ (mulga worm Dreaming) and ‘jipilyaku Jukurrpa’ (duck Dreaming), all of which overlap at Yakurrukaji. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e‘Yurrampi’ (also called ‘yunkaranyi’) are a prized delicacy, considered well worth the enormous effort it takes to dig them out of the ground. Honey ant nests can be located by looking for honey ants that are walking around on the ground and following them back to the entrance of their nest. These foraging honey ants are called ‘jaka-liirli’ and can be identified by a little yellow stripe on their bottoms. When digging up the nest, people look for streaks of bright red soil (‘kanjirtirirtiri’) that signify that they are getting close to the underground honey ant chambers (called ‘minki’). Honey ants ants dig tunnels quite deep underground in ‘jirrijirrirnpa’ (mulga woodland country). Branching from these passageways are chambers in which the edible honey ants are suspended from the ceilings, full of nectar collected from ‘yanyirlingi’ (desert fuchsia [Eremophila latrobei]). With their swollen abdomens, the ants are unable to move. People pick them out, gather them in ‘parraja’ (coolamons), and eat their abdomens, which taste like honey. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, concentric circles can represent the soakages created by the ‘yurrampi’ ancestors. These circles can be connected by lines representing the ‘yurrampi’ ancestors’ tracks. Straight lines can represent the ‘karlangu’ (digging sticks) used to dig up the honey ant nests.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620802916455,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78457626.jpg?v=1789467275"},{"product_id":"yanjirlpirri-or-napaljarri-warnu-jukurrpa-star-or-seven-sisters-dreaming-8","title":"Yanjirlpirri or Napaljarri-Warnu Jukurrpa (Star or Seven Sisters Dreaming)","description":"\u003cp\u003eThe Napaljarri-Warnu Jukurrpa (Seven Sisters Dreaming) depicts the story of the seven ancestral Napaljarri sisters who are found in the night sky today in the cluster of seven stars in the constellation Taurus, more commonly known as the Pleiades. The Pleiades are seven women of the Napaljarri skin group and are often depicted in paintings of this Jukurrpa carrying the Jampijinpa man ‘wardilyka’ (the bush turkey [Ardeotis australias]) who is in love with the Napaljarri-warnu and who represents the Orion's Belt cluster of stars. Jukurra-jukurra, the morning star, is a Jakamarra man who is also in love with the seven Napaljarri sisters and is often shown chasing them across the night sky. In a final attempt to escape from the Jakamarra the Napaljarri-warnu turned themselves into fire and ascended to the heavens to become stars. The custodians of the Napaljarri-warnu Jukurrpa are Japaljarri\/Jungarrayi men and Napaljarri\/Nungarrayi women. Some parts of the Napaljarri-warnu Jukurrpa are closely associated with men’s sacred ceremonies of a very secretive nature. \u003cbr\u003e\u003cbr\u003eYanjirlpirri Jukurrpa (Star Dreaming) tells of the journey of Japaljarri and Jungarrayi men who travelled from Kurlurngalinypa (near Lajamanu) to Yanjirlypirri (west of Yuendumu) and then on to Lake Mackay on the West Australian border. Along the way they performed ‘kurdiji’ (initiation ceremonies) for young men. Women also danced for the ‘kurdiji’. The site depicted in this canvas is Yanjirlypiri (star) where there is a low hill and a water soakage. The importance of this place cannot be overemphasized as young boys are brought here to be initiated from as far as Pitjanjatjara country to the south and Lajamanu to the north.\u003cbr\u003e\u003cbr\u003eIn contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Often depicted in paintings for this Jukurrpa is the female star Yantarlarangi (Venus - the Evening Star) who chases the seven Napaljarri sisters for having stolen the night from her.\u003c\/p\u003e","brand":"Warlukurlangu Artists","offers":[{"title":"Default Title","offer_id":44620825952359,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/1889\/2647\/files\/artwork-78343600.jpg?v=1789467354"}],"url":"https:\/\/warlu.com\/collections\/prestretched-nyirripi.oembed","provider":"Warlukurlangu Artists Aboriginal Corporation","version":"1.0","type":"link"}